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About Bana Lingas On River Narmada - Part 1
A Bana Linga, carrying the marks of Indra when worshipped fulfills all the desires of the devotee and bestows upon him respect and wealth. The Agneya variety of the Bana Linga is warm to touch, and contains the marks of Shakti's weapon. The Yamya Linga has the forms of a cudgel or that of a tongue. The Nairutti Linga appears like a sword and carries stains on its body and bestows the benefits of gyana and yoga; however it should not be worshiped by a Grihasta (householder).
The Varuna Lingas are round in shape and can be distinguished by the marks of a noose (pasa) and it is worshipped to secure wealth and prosperity. Lingas that signify the energy of Vayu are black or ash gray in color and carry a flag post symbol on its head. The Kubera Linga also has the form of a mace (gada) or arrow (tuna) depicted by a hairline like line in the center. The Raudra Lingas are lustrous like a block of ice but bear the marks of a bone or spear. Vishnu's symbols could range from conch shell (samkhabha-mastaka), discus, mace, to the jewel on the chest (sri-vatsa and kaustubha) or foot print.
This brings to light an ancient form of worship initiated by Adi Shankaracharya. In the ancient days all cults, namely those of Shiva, Vishnu, Ganesha, Devi and Surya were independent and fighting for supremacy till Adi Shankaracharya set the rules to unite all of them. The result was the performance of the Panchayatana puja, by the Smartas towards their Ishta Devata, that deity being placed as the central altar. Each deity was represented in that aniconic form. This was the worship of the 5 sacred altars. In this orthodox tradition initiated by Adi Shankaracharya, five stones each representing the respective deities are placed on the sacred altar for the Panchayatana worship.
Sun
God
Surya
is
represented
by
a
crystal
found
in
Vallam
in
Tamil
Nadu.
Mother
Goddess
Shakti
is
represented
by
the
Swarnamukhi
stone
found
in
Swarnamukhi
River
in
Andhra
Pradesh.
Vishnu
is
represented
through
Salagramas
found
only
in
the
Ghantaki
River
in
the
Himalayas.
Ganesha
is
represented
by
the
red
Shonabhadra
stone
found
in
the
river
bed
of
the
Sone
River
flowing
into
the
Ganges.
Shiva
is
represented
by
the
Bana
Lingas
found
in
the
Narmada
river
bed
near
the
island
of
Mandhata.
Different sets of rules apply to the Brahmacharya, Grihasta, Vanaprastha and the Sanyasa. Here was the ancient belief and promise to a pious and happy existence, and across these waters we can see the new world of dams almost submerging all of this reality into the depths of the raging Narmada. Would all this just come to an end? Would this knowledge be submerged into the depths of time and ignorance?



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