Latest Updates
-
Happy Birthday Dheeraj Dhoopar: How A TV Set Friendship Turned Into Love With Wife Vinny Arora -
Top Skin and Hair Concerns in India in 2025: What the Data Reveals -
International Human Solidarity Day 2025: History, Significance, and Why It Matters -
Purported Video of Muslim Mob Lynching & Hanging Hindu Youth In Bangladesh Shocks Internet -
A Hotel on Wheels: Bihar Rolls Out Its First Luxury Caravan Buses -
Bharti Singh-Haarsh Limbachiyaa Welcome Second Child, Gender: Couple Welcome Their Second Baby, Duo Overjoyed - Report | Bharti Singh Gives Birth To Second Baby Boy | Gender Of Bharti Singh Haarsh Limbachiyaa Second Baby -
Bharti Singh Welcomes Second Son: Joyous News for the Comedian and Her Family -
Gold & Silver Rates Today in India: 22K, 24K, 18K & MCX Prices Fall After Continuous Rally; Check Latest Gold Rates in Chennai, Mumbai, Bangalore, Hyderabad, Ahmedabad & Other Cities on 19 December -
Nick Jonas Dancing to Dhurandhar’s “Shararat” Song Goes Viral -
From Consciousness To Cosmos: Understanding Reality Through The Vedic Lens
Aashish's paint problems
By: Upala KBR, Mid-Day
Aashish Chowdhry has finished shooting for Jayant Gilator's Whiteland, but he still shudders at the memory of his hours covered in paint during the shooting of the film.
For his role as the village boy, he used to have his entire body painted in a darker shade and the paint would take hours to remove everyday.
Melting paint
Says Aashish, "Whiteland is about the plight of the salt workers in Dandi. I play the servant to the village sarpanch, while Gracy Singh plays a blind, educated girl whom the villagers rely on to take their revolution forward.
Since I play a poor, surpressed, village boy I had to have a very rustic look for the film. I grew a beard, wore dhotis and used a darker shade of make-up from head to toe.
Since such thick make-up melts in the hot sun with light oils, I had to try six different types of oil before we settled on castor oil for the base. It was terrible because castor oil is the thickest and smelliest of all the oils."
"I had to get a special scrub from Mumbai to take off the make-up which would take 2 hours every day. But today if anyone pays for me to sit and put on this make-up, I won't do it. It's such a pain. But then I was dying to play such a character. My role is somewhat similar to Mithunda's in Hum Paanch."
Cuts and bruises
That was not the only hardship during the shooting of the film. Ashish recounts, "We shot for 40 days at the Rann of Kutch and we'd constantly get bruises and cuts as the salt fields of Dandi and salt mountains are worse than rock mountains as they melt and their edges gets sharp. But working on this film has been a fantastic experience."
After working on this film Aashish has begun to feel for the plight of the salt workers in Gujarat.
"They are providing the flavour to the nation, but what are we doing for them? How many people know that 90 per cent of the salt workers suffer from hampered vision as they aren't given sunglasses to protect their eyes from the blinding whiteness of the salt mountains.
They get paid a measly seven paise per kilo out of which 6 paise goes to the village sarpanch while salt in the cities is sold at such high prices.
Salt workers are dirt poor. When their bodies are burnt, their knee is the only part that doesn't burn as it gets hard from the continuous heat generated from the salt pans. The reflection of the salt burns the legs."
Aashish
hopes
that
talking
about
the
plight
of
these
workers
will
help
their
lives
and
living
conditions.
After
Aamir
Khan
for
NBA,
Lucky
Ali
for
farmers,
it's
not
Chowdhry
for
salt
workers.



Click it and Unblock the Notifications











